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Sculpture
The Process
Step 1 Choices
August 2001
Prior to contacting
Kevin I thought I had a fairly good idea of what I wanted.
He directed me to his site (www.studionove.com)
to browse his past works and suddenly I was faced with so
many choices it was overwhelming.
Originally I had
wanted a torso thinking this was very similar to Hubby's style
of photographing me, but then I was torn as I know Hubby adores
my face. I wasn't sure in which direction to go - bronze or
marble. I wasn't sure which Hubby would prefer. As soon as
Kevin said, "marble would be a one of a kind creation
and it was his medium", my choice was made. Plus, even
though this was August, had I gone in the bronze direction
the foundry may not have been able to do the casting in time
for Christmas.
Then there was
the marble choices, Kevin wrote "Statuario" is a
one of the finest Marble for nudes. It is white in a warm,
almost skin tone. "Beonco P" is in a range of blue
to greenish white - also nice but cold. With a few tricks
I know, I can make them all look like they are a hundred years
old. Then "Augusto" is "Yellow Sienna";
it is a lovely stone, but a little busy. The "Belgium
Black" is just that, black with possibly a few fine lines
of white running through it. It's all Lovely.
I decided on white
marble thinking it would resemble my pale skin.
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Step 2
The Stone
After taking on
the commission, Kevin drove to a stone yard in Canada and
selected the right kind of stone and of the size required.
Marble weighs
2.8 tons per cubic meter so as you can imagine this is quite
an event.
Kevin selected
a kind of marble similar to 'Statuario'.
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Kevin wrote, "When
one starts to carve a block of stone, it opens a whole universe
of discovery; 200 Million years of it. Marble started out
as sand, then lime stone. If gasses passed through it in the
last 100 million years or so, this will change the color.
What ever minerals that where present, like in this instant
iron, one will find this yellowing or rusting as it reveals
itself to to us."
"The sample
that I chipped off today told me that Iron is present. But
we will have to see what the block holds. It is like a Woman
of 45, somehow regardless of how many children, or marriages
she may have had; magically she is a virgin. I myself have
witnessed this miracle more than three times, and it is true!
Anyway, inside we may well find the white that we are looking
for. If not, then I would go with a patina. I think we will
find the white."
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Step 3
Photos
One of my first
requirements was that Kevin would be able to work from photos
alone. I did not want to have to pose nude in real life without
Hubby's consent. The fact that this was a surprise made that
impossible, and in any case the distance was against us.
I also requested
that Kevin take photos of the whole process. I wanted to present
Hubby with a 'making of' diary along with his gift as he was
being excluded from all this wonderful excitement.

Kevin needed photos
of me in a similar pose to what I had in mind. My next task
was for Hubby to take such photos without suspecting anything.
If you've visited our links
page you will see Dee listed, she is a friend and an artist.
I asked her to write requesting a series of photos from every
angle, giving the impression that I was a real nude model
in front of her. It was hilarious; Hubby totally fell for
it. The following day we took a series of photos. You have
no idea how difficult it was for me to not keep laughing.
:) Kevin received a total of 40 photos in four slightly different
poses together with of all my measurements.
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Step
4 Clay Study
September
2001
Kevin wrote,
"First I will do a study, about half the finished
size. I will make two of these. One for you and one
for me, then destroy the mold. Hopefully she will
meet with your approval. I will be using some other
photos that I have found at your web page to help
me see all that I need to. Then there is the magic
that happens when that good old "Mind - Hand
- Material" do their creating thing.
I warn
you that at first I work "fat". I'm a carver
at heart, so I go big then finish smooth. I added
a post to insure that she will not decide to move
on me. I suffer from "Brick-shit-house"
disorder. It's just the way I like to have things.
Luckily I'm not into Aeronautics. It looks like she
will almost be the same size as the marble sister
will be, 15" to 16", so far six pounds of
plastalene oil based clay with another, say, another
nine to go."
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Step 5
Final touches to Study
Once the study was almost complete I had
to decide on the details. For me this was slightly embarrassing.
Kevin wrote, "Today I will be putting
the final touches on the study. The study, or Marquette is
just a guide in my case. She will be changing a bit - well
you'll see. Then I will be making a "waste mold"
meaning a mold that is only used once or twice. When she is
in plaster I can have her right there with me, and your photos
for reference. She is already at full size, so it should go
very smoothly. I will send you a copy of the marquette some
time soon. I get kind of funny when I'm carving a marble this
size; it is always near to me. I draw the line at sleeping
with it, although it may be in the room with me. The time
is nearing for the details. Soft or hard nipples? Pubic's
- shaved? Patina - natural? When I send you a sample of the
stone I can do the patina on one side and natural on the other.
The patina will make it look older, using coffee, and cranberries
just on the pubic."
Hubby is always fascinated by the different
appearances of my breasts and nipples, but I know he particularly
likes them when they are warm, relaxed and puffy, yet still
with a hint of nipple. *Giggle* I wanted my zingies to appear
much like they always do, and decided against changing the
patina/colour. I felt it would be disrespectful of the marble
to change it, and wanted it to remain in it's natural state.
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Step 6
Waste Mold
These photos
show how one changes from clay to plaster. Kevin writes,
"It is usually called a 'Waste Mold' and done in
plaster of Paris. One or maybe two copies and a lot
of fixing up after words. Being a dentist's son I went
with an "Algenet" mold. If you have ever had
an impression made of your mouth, it's the same material.
This was a first for me at this size. I made a new box
that I will be able to use on many other sculpts of
different sizes. The holes and pins are so it does not
rest on the bottom of the part that holds it together,
called the "Companion Mold". One pores the
gook in two parts. It makes it easy to halve the two
parts, and is flexible. You can fill it up on the in-between
with what ever, wax, plaster, or for this time of year
Chocolate. Although it would have a lingering taste
of the algenet. :( "
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Step
7 Carving
October 2001
Kevin wrote, "That's
one hard stone 'A Secco', Mah, a Bellissima, che bella marmo!
Translated - Dry, hard, but it's Italian how could you not
love it? She's a beautiful little block of heaven! I use saws
that cut almost anything, I was using an old friend of mine,
but it just was not doing it. So I went and bought a new one,
same thing. This Momamea is hard. So I go with some, chip
and a chop with the chisel. That's good. It's a new ball game,
I Love it, love it, love it. You see I use to never do a study;
just go to the stone. The stone will tell what and how she
will be carved. Seeing we are not just carving a "Lady"
in stone but trying to come close to your lovely form, I'm
ever so happy that we took the time to do the study.
A fault in the
stone, as it will in the beginning, will set the tone. So
you will not be so straight up and down, but dancing. With
your right shoulder twisting back, arched back, head back,
twisting smoothly, with your right leg up, and out ...I think.
:)"
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This marble
is so different from others that I have carved before.
It is one hard!, almost Quartz like. It is wonderfully
translucent, not to the point of Alabaster, although
it is very white and clear."
I will
use the big piece that came off and make a little
practice sculpt. As one comes into the final finishing
zone, I need to know what tools and method will be
best to use. By the looks of it I think that grinding
will be safer then chiseling, as I would normally
be doing it.
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I love finding
a new type of marble! The stone is worthy of your Beauty,
she's a white, and now sound as a bell. It is at the chiseling
part that one must move "Piano, Piano" slowly, slowly
that is one of the lessens that the Italian's preached, and
I try to adhere to. Even a hard type of marble like this one
will bruise, or even worse make little cracks. Better to take
the time and "Piano Piano" and enjoy moving to the
form. I do not ever think of the time/cost when doing a sculpt
like this. It is doing your form and the marble justice. I
still have the clay one so I made some changes to it just
to be safe. My compressor is giving me trouble. The marble
is softening up. I wrap her up in a moist towel when I'm not
working on her and that seems to help a bit."
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Step 9
Grande Finale
December 2001
Kevin wrote, "As
you see she is all but done. She fits on her base just right.
The boxes are all ready to go, and tonight I will be putting
the last touches. Monday 12/17/01 it will be going UPS.
I have this thing
for "Boxes"; you will like it. Because they are
made by me and have that hand made feel to them, much better
than some cardboard. It kind of a home for the sculpt that
should last for many a move."
The boxes arrive
and are indeed a work of art in and of themselves. Beautifully
hand crafted and not a rough edge to be found anywhere. It
almost kills me to wait a week and not have a peek. I had
already decided she would be a surprise and an unveiling for
the both of us on Christmas morning. Luckily the boxes were
that heavy, I couldn't have peeked even if I wanted to.
When I tease Hubby
about his Christmas surprise, he frequently says, all he ever
wants is me, tied in a big red bow. I thought that it would
be interesting for him to get two red bows this year. Can
you believe this? Kevin was even thoughtful enough to enclose
a huge silk red ribbon along with a most beautiful letter
and full rights to his latest wondrous creation. :)

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